[ now, see, that's troubling. peggy stops short of a scowl. ]
I don't imagine you're much prepared to share an example of that power.
[ which is her way of not outright asking him to share one, although it leaves plenty space for him to correct her.
there are some instances where she courts the possibility of being proven wrong. ]
I don't imagine you're much prepared to share an example of that power.
[ which is her way of not outright asking him to share one, although it leaves plenty space for him to correct her.
there are some instances where she courts the possibility of being proven wrong. ]
Because of what a man who wasn't you did? Seems a bit -- much. To change things for you.
[ but she speaks from the comfortable position of someone who has never met her own mirror. indeed, her experiences with anyone from that side of the mansion have been oddly comforting. barnes, well, he'd been like the man she'd known in the howlies.
and steve. god, she could almost prefer a man so twisted and wrong that she could hate him -- easier to stomach than a man she loved but couldn't bear to speak to.
of course, there is the other option: she's prodding, goading, looking for sore spots to try and pull on a thread she shouldn't pull. heedless, always, to the sorts of trouble she might cause herself merely in asking. it's entirely possible she knows exactly how flippant she sounds. ]
[ but she speaks from the comfortable position of someone who has never met her own mirror. indeed, her experiences with anyone from that side of the mansion have been oddly comforting. barnes, well, he'd been like the man she'd known in the howlies.
and steve. god, she could almost prefer a man so twisted and wrong that she could hate him -- easier to stomach than a man she loved but couldn't bear to speak to.
of course, there is the other option: she's prodding, goading, looking for sore spots to try and pull on a thread she shouldn't pull. heedless, always, to the sorts of trouble she might cause herself merely in asking. it's entirely possible she knows exactly how flippant she sounds. ]
[ and that's awful. but perhaps peggy is too given to compartmentalization.
(or perhaps peggy hasn't been quite burnt enough by the mirrors. or, perhaps, a great deal many things.)
she sits back on the sofa with her legs crossed at the ankles. comfortable, but nevertheless composed. ]
Is that what yours did? [ she ignores 'chronos' for the time being. ] Stalked someone? Your friend?
(or perhaps peggy hasn't been quite burnt enough by the mirrors. or, perhaps, a great deal many things.)
she sits back on the sofa with her legs crossed at the ankles. comfortable, but nevertheless composed. ]
Is that what yours did? [ she ignores 'chronos' for the time being. ] Stalked someone? Your friend?
[ clinical is precisely the word for it. and maybe she should pay better attention to his discomfort, but this isn't any sort of official interrogation. she's got nothing to salvage or save, she decides, and so she all but resists the urge to lean into the conversation. ]
And on the other side? [ she seizes upon the wording.
it's telling. his mirror was killed, was he? maybe by his own hand; maybe by his friend's. and that would also be knowledge worth having. but she betrays her priority when she cuts to this particular chase. ]
If killed over there, do they stay dead?
And on the other side? [ she seizes upon the wording.
it's telling. his mirror was killed, was he? maybe by his own hand; maybe by his friend's. and that would also be knowledge worth having. but she betrays her priority when she cuts to this particular chase. ]
If killed over there, do they stay dead?
As death so very often is.
[ she shrugs away his concern. she doesn't like the way he worries over the warning -- it reminds her too sharply that in this place death isn't always permanent. and it makes her think that perhaps ray palmer has been here too long if his natural instinct is to consider the prospect of a permanent death the 'odd one out' of the arrangement.
no matter. she got her answer, didn't she? so she can pull back a beat from her hard press. ]
I don't know anything about mine. A blessing, really. I'm in no rush to meet her.
[ she shrugs away his concern. she doesn't like the way he worries over the warning -- it reminds her too sharply that in this place death isn't always permanent. and it makes her think that perhaps ray palmer has been here too long if his natural instinct is to consider the prospect of a permanent death the 'odd one out' of the arrangement.
no matter. she got her answer, didn't she? so she can pull back a beat from her hard press. ]
I don't know anything about mine. A blessing, really. I'm in no rush to meet her.
I've met two. [ she volunteers this information with a sudden and sharp announcement -- offered after a moment of silence wherein she must have been weighing her options rather carefully. ] Mirrors, that is. One, I confess, duped me from the outset.
[ she rubs the palm of her hand against her chin -- betraying a brief agony. it's not fair to say that barnes's mirror tricked her, really, given the mirror seems more like the man she'd known during the war than the man she's met since arriving here. ]
The other, though? I'd only been here a few days and I knew him for a mirror almost immediately.
[ all she'd had to do was look at steve. listen to him. and she'd known. ]
[ she rubs the palm of her hand against her chin -- betraying a brief agony. it's not fair to say that barnes's mirror tricked her, really, given the mirror seems more like the man she'd known during the war than the man she's met since arriving here. ]
The other, though? I'd only been here a few days and I knew him for a mirror almost immediately.
[ all she'd had to do was look at steve. listen to him. and she'd known. ]

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